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Caterina Davinio : ウィキペディア英語版
Caterina Davinio

Caterina Davinio (born Maria Caterina Invidia; November 25, 1957, Foggia) is an Italian poet, novelist and new media artist. Author of digital art, net.art, video art. She was the creator of Italian Net-poetry in 1998.
==Biography==
Born in Foggia, she grew up in Rome since 1961. She studied literature and art history (student of Giulio Carlo Argan) at Rome University La Sapienza, where, in 1981, she received a bachelor's degree in Italian Literature. Caterina began to write poetry when she was fourteen years old.〔() Interview, 2015 Accessed August 24, 2015〕 In Rome she came in contact with the international circuit of experimental poetry and art,〔(2007.) ("Interview: Caterina Davinio." ) (). Accessed August 24, 2015.〕 resulting in an intense curatorial activity in collaboration with renowned artists, critics and poets of the avant-garde.〔Caterina Davinio, ''Tecno-Poesia e realtà virtuali'' (''Techno-Poetry and Virtual Realities''), essay with English translation. Preface by Eugenio Miccini. Collection: ''Archivio della Poesia del 900'', Mantova, Sometti Publisher, 2002, pp. 239-270. ISBN 88-88091-85-8〕〔() Electronìe d'arte e altre scritture, meeting, Museo Pecci, Prato, 1995. Accessed August 24, 2015〕 Since 1997 she has been living in Monza and Lecco, working at international level.
From the early 1990s Davinio was a pioneer of Italian electronic poetry, in the experimental field among writing, visual art, and new media, using computer, video, digital photography, Internet. She was the first woman artist who utilized the computer and Internet in literature and poetry in Italy.〔"D'Ars", review directed by Pierre Restany, anno 43, n. 175-176, December 2003, Milano, . p. 98. See pp 89-98.〕 Author of visual and sound poetry,〔() Athens Biennial, 2007. Accessed August 24, 2015〕 she created also works with traditional techniques, such as painting〔AAVV, ''Davinio'', Roma, Parametro, 1990.〕 and photography. She is author of novels, books of poetry, essays, and for many of them she received literary awards and recognition in Italy and abroad.
In 1997 she collaborated to ''netOper@'', the first Italian interactive work for the web, by the composer Sergio Maltagliati.〔(netOper@ ) Accessed August 24, 2015〕 She also initiated Net-poetry in Italy, in 1998, with the website and network ''Karenina.it''.〔(Digital Visions, UBC ) Accessed August 24, 2015〕〔(RCCS, review by Jorge Luiz Antonio ) Accessed August 24, 2015〕 The participants included Julien Blaine, Clemente Padin, Philadelpho Menezes, Mirella Bentivoglio, Lamberto Pignotti, Eugenio Miccini, and many other new media artists, critics, and experimental poets.〔Caterina Davinio, ''Tecno-Poesia e realtà virtuali'' (''Techno-Poetry and Virtual Realities''), essay with English translation. Preface by Eugenio Miccini. Collection: ''Archivio della Poesia del 900'', Mantova, Sometti, 2002, ISBN 88-88091-85-8, pp 86-88.〕〔(Karenina.it Experimental ) Accessed August 24, 2015〕
Her art has been featured in more than three hundred international exhibitions and festivals in many countries, among them the Biennale de Lyon (two editions), the Biennale of Sydney (on-line events), the Athens Biennial,〔(Athen Biennial Artwaveradio ) Accessed August 24, 2015〕 E-Poetry (University SUNY Buffalo, NY, and Barcelona),〔(E-Poetry 2011 ) Accessed August 24, 2015〕 Polyphonix Festival (Barcelona and Paris), seven times in the Venice Biennale and collateral events, where she collaborated also as a curator.〔''Tecno-Poesia e realtà virtuali'', cited essay, ISBN 88-88091-85-8 pp. 244-247, 251-254.〕〔AAVV, VeneziaPoesia 97, catalogue of the exhibition, Edimedia, Venezia 1997.〕〔Oreste At The 48th Venice Biennale, Ed Charta, Milano 1999. Catalogue of Oreste Project at the Venice Biennale 1999, Italian Pavilion. ISBN 88-8158-279-1〕〔''49ª Esposizione internazionale d'arte Platea dell'umanità La Biennale di Venezia'', Electa 2001. Project: "Bunker Poetico", by Marco Nereo Rotelli.〕〔La Biennale di Venezia, 51ª esposizione internazionale d'arte, Partecipazioni nazionali - Eventi nell'ambito, catalogo Marsilio, ISBN 88-317-8800-0. Project: ''Isola della Poesia'', by Marco Nereo Rotelli, Achille Bonito Oliva curator.〕〔53ª Esposizione Internazionale d'Arte La Biennale di Venezia ''Fare Mondi'' Partecipazioni Nazionali Eventi collaterali, p. 254 ISBN 978-88-317-9803-7 Project: ''Mercury House One_Save the Poetry'' curated by Fondazione Mare Nostrum and Marco N. Rotelli.〕
She exhibited animated digital poetry works - called "Terminal Videopoems" - in the 1997 Venice Biennale, in ''VeneziaPoesia'', a project directed by the poet and writer Nanni Balestrini.〔AAVV, VeneziaPoesia 97, catalogue of the exhibition, Edimedia, Venezia 1997.〕
In 1999 she participated, as a poet and a video artist, in "Progetto Oreste" at the Italian Pavilion of the 48th Venice Biennale,〔''Oreste At The 48th Venice Biennale'', catalogue of the Exhibition at the Italian Pavilion, Milan, Charta Publisher, 1999 ISBN 88-8158-279-1.〕 where she also curated a video poetry exhibition.〔Caterina Davinio, ''Tecno-Poesia e realtà virtuali'', Collection: "Archivio della poesia del 900", Preface by Eugenio Miccini, Sometti, Mantova 2002, a book sponsored and supported by the city of Mantua ISBN 88-88091-85-8.〕
Davinio's net-poetry participated in the Venice Biennale also in 2001 - Harald Szeemann curator - in the context of ''Bunker Poetico'',〔See the catalogue of the 49ª Esposizione internazionale d'arte ''Platea dell'umanità'' La Biennale di Venezia, Electa 2001. Project: "Bunker Poetico", by Harald Szeemann and Marco Nereo Rotelli.〕〔Marco Nereo Rotelli, ''Bunker Poetico. La poesia come opera''. Porretta Terme - BO, I Quaderni del Battello Ebbro, 2001 ISBN 88-86861-49-4, p. 81 and 245-246.〕〔.〕 which was a collaborative installation - involving 1000 international poets and artists - created by the architect Marco Nereo Rotelli in cooperation with Istituto Italiano per gli Studi Filosofici of Venice, Massimo Donà, I Quaderni del Battello Ebbro publisher, Caterina Davinio, Milanocosa cultural association, and others.〔''49ma Esposizione internazionale d'arte Platea dell'umanità La Biennale di Venezia'', Electa 2001, p. 395.〕 Davinio engaged in this project renown avant-garde poets and organized a virtual happening on-line called "Parallel Action-Bunker", simultaneous with real readings and performances at Orsogrill delle Artiglierie, a venue of the Venice Biennial.〔.〕〔''Tecno-poesia e realtà virtuali'', cited essay, pp. 42-43, 253-254, 290-291.〕
In 2005 she created the net-poetry work "Virtual Island", a web site and poetry network, in the context of the 51st Venice Biennale.〔See the catalogue of La Biennale di Venezia, 51ª esposizione internazionale d'arte, Partecipazioni nazionali - Eventi nell'ambito, catalogo Marsilio, ISBN 88-317-8800-0. Project: ''Isola della Poesia'', by Marco Nereo Rotelli, Achille Bonito Oliva Curator〕''Virtual Island'' involved 500 international poets, among them: Adunis, Lawrence Ferlinghetti, Alda Merini, Fernanda Pivano, and many other established writers.〔(Isola Virtuale ) Accessed August 24, 2015〕
In 2009 she created the virtual installation ''The First Poetry Space Shuttle Landing on Second Life'' and other on-line happenings in the 53rd Venice Biennale Collateral Events, engaging more than 200 poets from around the world, to celebrate the centenary of Italian Futurism.〔In the project: ''Mercury House One_Save the Poetry'' by Fondazione Mare Nostrum and Marco N. Rotelli. See the catalogue of the 53rd Esposizione Internazionale d'Arte La Biennale di Venezia ''Fare Mondi'' Partecipazioni Nazionali Eventi collaterali, p. 254 ISBN 978-88-317-9803-7〕〔() Accessed August 24, 2015〕 In the same project she curated also the event ''Network Poetico Net-Poetry Reading in Webcam'', a poetry reading in Skype videocall with poets from various continents and countries.〔(Review Artxworld ) Accessed August 24, 2015〕 In the context of the 2009 Venice Biennale Davinio participated also in the exhibition ''Détournement Venise 2009''.〔(Review Artxworld ) Accessed August 24, 2015〕
In 2014 she exhibited her net-poetry installation "Big Splash" in the "Master Section" 〔(OLE.01 Master Section ) Accessed August 16, 2015〕 of the international festival OLE.01, dedicated to electronic literature, in the Doric Room of the Royal Palace of Naples;〔(Review in the newspaper "Diario Partenopeo" ). Accessed August 16, 2015〕〔( Review in the newspaper La Repubblica September 18, 2014 ), accessed August 16, 2015〕〔(La Repubblica ) accessed August 16, 2015〕 The festival took place in many institutional spaces of Naples in October 2014 and involved some of the main international pioneers of electronic literature and experts and scholars in that field.〔(OLE.01 Master Section ) accessed August 16, 2015.〕〔(See the TV report on RAI 2 Italian national channel ) accessed August 16, 2015.〕
Among the literary critics who have written about Davinio's works of fiction and poetry: Francesco Muzzioli,〔(Poesia2punto0.com September 5 2012 ) accessed August 16, 2015.〕〔(Poesia2punto0.com August 29 2012 ) accessed August 16, 2015.〕 Dante Maffia,〔(''Fatti deprecabili. Poesie e performance dal 1971 al 1996'', Poesia2punto0.com, January 4 2015 ) accessed August 16, 2015.〕 Ivano Mugnaini,〔(Samgha.me May 21 2013, ''Il sofà sui binari'' di Caterina Davinio ) accessed August 16, 2015.〕 David W. Seaman; some of the critics who have been interested in her work of digital poetry and electronic arts are: Eugenio Miccini, Lamberto Pignotti,〔Lamberto Pignotti, ''Scritture convergenti. Letteratura e mass media'', Pasian di Prato (UD), Campanotto Publisher, 2005〕 Jorge Luiz Antonio,〔(RCCS, review by Jorge Luiz Antonio ) accessed August 23, 2015〕〔Jorge Luiz Antonio, ''Poesia digital'', livro e dvd, Navegar Editora, ISBN 978-85-7926-015-5 Luna Bisonte Prods ISBN 1-892280-82-5〕〔Jorge Luiz Antonio, ''Poesia eletronica'', livro e dvd, Veredas & Cenarios, ISBN 978-85-61508-02-9〕 Christopher Thompson Funkhouser,〔Christopher Thompson Funkhouser, ''Prehistoric Digital Poetry: An Archaeology of Forms'', 1959-1995, University of Alabama Press, 24/giu/2007 ISBN 0-8173-1562-4 ISBN 9780817315627〕〔Christopher Thompson Funkhouser, ''New Directions in Digital Poetry'', A&C Black, 19/gen/2012 ISBN 1-4411-1591-9 ISBN 9781441115911〕 Marco Maria Gazzano, and others.

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